Teaching Tips Blog

Teachingtips.com is a blog in the traditional sense. That is it is a resource that lists other resources. With archives dating back to last month, this is tight contemporary resource that's quick to scan.

While it seems supported by advertising from institutions of higher learning and offers a search tool to find programs for education and professional development, the love-at-first-sight part is the blog that contains posts like "100 Best Resources and Guides for ESL Teachers," "100 Unbelievably Useful Reference Sites You’ve Never Heard Of," and "50 Must-Read Up and Coming Blogs by Teachers." The last of which included "If Bees Are Few" and so, I figured I'd post for some cross-pollenization.

The "Must-Read" list links to blogs from teachers across the spectrum of rants, to rationalizations, to reality-checks. Good stuff.

And I thought the pile of books in my home office was enough summer reading, already!

Read'em Good

A lively discussion is underway at Teacher Magazine's online discussion forum. The topic du jour is about whether or not reading aloud to high schoolers is good for them. Apparently a high school teacher's administrator doesn't think so. When I sat stopped in on the forum today, it looked like the "good"s were in the lead. And I'm among them.

I often read to my high schoolers--especially key passages, poetry, parts of dialogue. Although I'm no great orator from the late 1800s, but with a degree or two in communication arts, I do all right. I figure, it's not often my students get to hear a professional reader of literature. That's my first volley.

Here are my top 10 reasons for reading aloud to teens, or at least all I can think of on this beautiful summer's eve.

1. They love it.


2. They'll hear the words spoken in an effective (not definitive) way.


3. I know they are reading the text and not just the Sparknotes. Who knows they might even notice the incredible difference and stick to reading the texts in toto.


4. I can model how reading inspires one to pause and muse and question, or reflect and elaborate on a moment in a text.


5. We can discuss an important point, or debrief on difficult part.


6. Some students are auditory learners; it helps all students to digest a text not to be decoding the letters on the page.


7. It works in the mind's eye and on the imagination just as well, if not better.


8. Students can take notes or make art related to the reading while I read aloud.


9. Spoken vocabulary meets written text.


10. Research says students (even at the college level) who are read to read more.

As I noted above, I do not lay claim to reading texts "the right way." A pitfall of reading aloud is interpreting the text in a particular way. So, I also encourage (read: give extra credit) for students who agree to read the night before (and complete a chart of verbs of how each page is to be read and dictionary checks on vocabulary) and read in class. This way there is not the stumbling, staccato, flat and mispronounced, tortured reading, yet a student voice interprets the work.

On last point, I remember reading Great Expectations aloud as a 9th Grade. My 14-year-old voice cracked and the class laughed. I also remember my teacher Mr. Allison's mellifluous tones when he read Romeo and Juliet with us. Ah, youth.

Image credit: "Reading Along with Mr. Youngs" by Victoria Lecci

Grading Blog Posts

A bit of a blogevangelist for education, whether speaking to colleagues down the hall or at conferences, I'm often asked "how do you grade a blog, do you have a rubric?" The short answer is "Yes."

Academic blogging is different from MySpace or Facebook. There are rules. Insert groan. I keep it simple for my sake as well as for that of my students. Students earn points under the categories of courtesy, communication, focus, scholarship, and thinking. You can take a look at the rubric I use for my students--click here.

In a recent articlein Campus Technology, Learning in the Webiverse: How Do You Grade a Conversation?, MIT's Trent Batson offers these tips that fit with most things we look for in good writing, conversational and academic:

• coehesion of elements


• awareness of audience


• purpose


• diction

It's clear from Baston's explanations of these components, there is a powerful difference from writing in a blog and writing a traditional essay. The stakes are higher when students are writing for authentic audience of peers in a public space. Purpose is torqued, too. To write for a class blog, students are called to not merely demonstrate knowledge but to share it meaningfully. Diction and coherency come into play as essential skills to accomplish the message.

I'd say this all adds up to much more engagement, thinking, and motivation to write well.


Image credit: "Conversations Silhouette" by b d solis @flickr.com, Creative Commons Copyright -- Attribution

Think or Swim

In his introduction to How to See Yourself as You Really Are by the Dalai Lama, His Holiness notes "the most serious problems emanate from industrially advanced societies, where unprecedented literacy only seems to have fostered restlessness and discontent."

I see this in my students (and teachers, and just about everyone) as they obsessively check their mobile phones for texts, missed calls. I hear it in sound bytes from the latest news cycle that are taken without anything but superficial consideration and repeated as deep truths of what's happening today. Common sense, refection, and reverence are replaced by these sound bytes repeated as if mantras for a news cycle, and then replaced by the next gossip in the next moment.

Literacy, and here I am thinking of media literacy, must be stressed with our students to mean more than merely how to read a text or how to blog or make a video. Literacy is more than mere expression and understanding of a message.

Being teachers of English and across the disciplines, we teach our students how to read and write in a variety of media. It seems such a struggle to teach students to wade through myriad messages and identify propaganda and selected framing of ideas, let alone to dive into rhetoric and logic, then swim among questions and rise above to see things in larger contexts.

Of course, the total glut of media works against all of this. One might sit next to a lake and consider it for a long time without knowing its contents, yet today we seem awash in a tsunami. Ironically, survival in the latter is proportionally more crucial than in the former. One must not only be taught what water is, but also how to swim in it.

As we develop our students' abilities to digest media, some great emphasis must be given not only to forms but also to content. Knowledge isn't enough, thinking about the knowledge or lack thereof must be the focus. Perhaps if we ask our students to consider the messenger first, the message second, and then media third, we will be better equipping our students to find peace and contentment.

Image credit: "Grace Bay Beach Pier" 2007 by WisDoc used with permission of Creative Commons Copyright

O What I Don't Know (But Will)

Entry #3 in a periodic series on National Board Certification

It's always a slap in the face to find out what you don't know you don't know.

Well, in typical "get outa your comfort zone" fashion, I took an assessement center practice session using retired questions and got a wake up call, if not a full smack down.

The first question involved a scenario about an type of student I have had few of and a novel I had not read. Actually, I think after the OMG moment of reading the question, I recovered rather nicely. Still the greater lesson is that if one is going to be a master teacher, he or she must excel at areas of which one has little experience as well as those areas that one has much.

So I can see my reading list growing for the summer so that I can learn more about issues, students, and subjects that I now know I don't know.

The Power of Art to Get Inside a Play

Today I included a favorite lesson, one I learned from Anthony Cappa, last year's student teacher in my class. The lesson involves Henrik Ibsen's play A Doll House and the work of his contemporary and acquaintance Edvard Munch. By examining a half dozen of Munch's works through the lens of Ibsen's play, students unfold both--sets of images and scenes from the play.

We start with "The Scream." Familiar territory and a moment of recognition. They find connections that bridge the playwright's realism and the painter's expressionism. Themes, moods, characters, episodes, and bits of dialogue resonate outward from Munch's pictures.

By the time we get to Munch's portrait of Ibsen himself, we need the momentary chuckle over his mutton chops to shake the despair, longing, and alienation that stem from our better understanding the meaning of what Nora, Torvald and all go through.

Art has that power. Couple drama with painting--wow!

Teaching and Self-Loathing

Entry #2 from a periodic series on National Board Certification

For all the buzz of past decades on self-esteem for students, teachers could use a boost. When I got to my second installment of NBPTS pre-candidate classes, I was nearly stymied to find that cancelling the program was a real possibility. Why? Lack of funding? No. Lack of teacher interest in taking the challenge of becoming National Board Certified.

I was crushed. I had tried to get into last year's class to find I was too late. Now that I was in, was I going to be denied the chance because no one else wanted to?

Fortunately, the happy few of us that showed up were able to commit, cross our hearts and hope to die, and convince the leaders to hang in there with us.

But this got me to thinking why? Why aren't teachers clamoring to become Board Certified? With the promise of state funding, money can't be the excuse? Time? Sure, time is always precious for good teachers. Yet, I think it has to do with fear of not measuring up and low self-esteem.

Teachers have so many nay-sayers to their talents. Media, administrators, parents, even students' criticism can get a teacher down. (Why this week alone, I was obliquely called a "goat," " a fool," and "cruel" by students.) So, of course, why would they want a National Board to give 'em one more hit? It's easy to see their view.

Ironically, that's exactly the opposite of the NBPTS's intent. It's to take account and certify all of "what teachers should know and be able to do." It's portfolio assignments and assessments are aimed at acknowledging the great things teachers who become candidates already are doing well.

Our National Board advisor tells me we are thirty years away from when National Board Certification will have established itself as the hallmark of educators' professionalism. Maybe by then teachers will be less fearful and more proud.

Midway in My Career

Entry #1 from a periodic series on National Board Certification

I've decided to record some of my reflections on a process toward National Board Certification for Teaching. I considered starting a separate blog for this, but have decided to have it be part of If Bees Are Few, color code it blue and tag it "National Board." In this way, perhaps it will show how the process integrates with other aspects of my reveries.

This is my seventeenth year in the classroom as a career. Sixteen down and sixteen to go, God-willing. I'm not sure I'll stop teaching then, but I'll probably retire from the public school system as I reach 60. Thus, if all goes well, this is my hump year.
This week I "celebrated" by beginning pre-candidate classes for becoming a National Board Certified Teacher from the National Board for Professional Teaching Standards. The first step was printing nearly 400 pages of standards and portfolio requirements and the panic of "what am I getting myself into? I'm an award-winning teacher, lead of my department, consultant . . . why do I want to be board certification?"
Well, I love teaching and I express my love through the quality of my teaching. I also like reflective practice. So this seems like an arena in which I can heighten my reflection, challenge myself, and improve the quality of what I love and do well. So binder in hand I head off, a bit daunted by the work ahead I know it represents.
Locally, Duquesne University is a host center for NBCT/NBPTS. At our first meeting which previewed the foundation and five core propositions, I was reassured to find out that "Standards" for our profession are much more authentic than "standards and standardized testing" that is been limiting education's scope, creativity, relevancy, rigor, and ways we assess students. Here they are:

Policy Statement: What Teachers Should Know and Be Able to Do
1. Teachers are Committed to Students and Learning.
2. Teachers Know the Subjects They Teach and How to Teach Those Subjects to
Students.
3. Teachers are Responsible for Managing and Monitoring Student
Learning.
4. Teachers Think Systematically about Their Practice and Learn from
Experience.
5. Teachers are Members of Learning Communities.

Moreover, I was reassured by the level of inquiry I sense in a half a dozen fellow teachers in our class. What we lack in numbers, we will make up for in quality. After three hours of working with them and our experienced and enthusiastic leaders, I may not have yet have a clear idea of "what I'm getting into," but I'm more confident I want to "get into it." What an incredible boost to one's motivation to have the time and space and structure and interest with colleagues to talk about "what teachers should know and be able to do." I left heartened that the NBCT process will be an exhausting but energizing experience. Sort of like teaching itself.

Grading, Online Reporting, and Good Enough

I've been experiencing the same sort of thing Traci Gardner mentions in her blog post for NCTE "What's My Grade?" My school started using an online grade reporting program. It's stable if terribly clunky--6 clicks and two sign-ins to post each class. Just as Traci notes, students rarely ask how they are doing in class. Instead they want to know why they have a zero for a homework. "Well, let's take a look." Most often it is because the assignment was turned in after the "all call" and though it's in my gradebook, it hasn't been entered into GradeQuick, or it's made it that far but not uploaded to EdLine. Teachers are to upload to EdLine every two weeks. That's a good thing.

I think Traci would agree. Her school's system is more instantaneous. By now, students (and parents) at my disctrict are getting used to the two-week schedule. And I have some time to grade the assignment, record it in my book, and enter it into GradeQuick, before I upload it to EdLine. All this takes time.

We have a seven-and-a-half-hour grading day every quarter. Every time contract talks come along, it is a bone of contention. "Do teachers really need this time?" school directors ask. I don't know about my colleagues but as an English teacher I can do the math: If it takes 10 minutes to grade an essay and I have 120 essays, I need 20 hours. And if I have 5 hours of prep time per week, then if I did nothing else (like parent contact, wrestle with the copier, check-in with a guideance counselor, give makeup exam, ad infinitum) I could have the essays graded (not recorded, just graded) in 4 weeks. So the seven hours of grading days is used for catching up with the makeups, figuring in participation, recording, and double-checking.

Time is time, and teachers never have enough. What is more troubling to me is, for all its efficiency of reporting grades, online reporting systems are nudging the emphasis from learning to earning. The customer service feel of online reporting seems to suggest that students (and parents) have more to demand from their scores. Scores become something to micro-manage from home and interrupt the learning process. And in some ways the very reporting of every point takes the effect of professional judgment out of the teacher's power. How can I give an C to a struggling, but deserving student who knows he has an 69 (one point away) because he's been watching his record?

There's a trickle down effect to this. As the students realize every hundredths of a point matter, every homework assignment and its score matters. Again, the focus is not on the learning, it's on a number. Grades become a fixed timeline of scores instead of a representative process of progress.

I was fortunate to grow up in the days of hand-written report cards. A time when students trusted their teachers to assess them. And parents who backed the teachers. Though I might have wondered a little a couple of times, I never had to question a teacher about a grade. If the teacher said I got deserved a "C" and I had given it my all, then I got a "C." And my parents only question was "Did you do your best?" regardless of whether of the grade. That was good enough.

And what I learned in the process: what was my best. To this day I know whether I've done my best or not. My best on some things is an A+. Sometimes I can eek out a B-. Other things I fail. But I never have to ask why I got a zero.

Give It Up For, Not On Technology

Teachers are control freaks. It's true. It comes with the territory. Everytime we walk into a classroom we know someone is going to set the agenda. And it better be me. It's all we know.

Enter technology. Ever have a projector that wouldn't sync with a DVD player? How about an online video presentation scheduled for a day the school server goes down? Or your blog site is 404?

Just the idea that we are outsourcing our content to a third-party makes us squeamish. And there are concerns about copyright, propriety of documents uploaded to Google, sites that link, remixed media, ad nauseum. Control?

If we are going to be moving (with our students) to the 21st Century we've got to give it up. I have found that my students understand completely. Whereas in years past, if something didn't go quite right, they'd panic and look at me like it was some kind of crime, nowadays they are cool with it. They know what it's like to be out of control with technology. It's a temporary setback. In a few minutes or the next day, the power will come up, the site will be online, the bug will be patched, and all will be good. Learning will go on.